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tonic on vi (↓_f%4S%1_↓) presents new, contrasting
material.  The movement to a temporary tonic on ↓_A_↓ about two-thirds of
the way through this section by no means represents a return to the
original key on the highest level.  This bit in ↓_A_↓ is surrounded by, 
and completely dependent on, ↓_f%4S%1_↓.  The modulation back to ↓_A_↓ is effected
by the return of previously heard material associated with that key.
The Menuetto, however, has more complex tonic movements and is in what
might be called (and this is true of many menuets, scherzos, etc.) a
miniature sonata form.  In this movement, at measure 11, entirely 
new material is presented in the dominant key.

.BEGIN VERBATIM

Example 78. Mozart, Sonata in A, K.300i(331), Menuetto

.END
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